Tuesday, December 28, 2010
Quantico by Greg Beard
Sunday, December 26, 2010
Freedom by Jonathan Franzen
Tuesday, December 21, 2010
The Family Law by Benjamin Law
Saturday, December 11, 2010
Inheritance by Nicholas Shakespeare
Thursday, December 9, 2010
Wired for War by PW Singer
Saturday, December 4, 2010
Portnoy's Complaint by Philip Roth
Saturday, November 13, 2010
Falling Angels by Tracey Chevalier
Moral Disorder by Margaret Atwood
Legend of a Suicide by David Vann
Faithful Unto Death by Caroline Graham
Saturday, October 23, 2010
Collected Short Stories by F Scott Fitzgerald
The Cut Glass Bowl: an upwardly mobile young couple receive a cut glass bowl as a wedding gift; it almost becomes a malevolent character in their lives, being somehow connected with a series of tragic events that alter the course of their lives
May Day: an unpleasant story of Yale graduates and their drunk partying and returning soldiers and their drunk rioting – a real event I think – and the shallow people caught up in between.
The Diamond as Big as the Ritz: a fantasy tale where John Unger is invited to a fantastically rich classmate’s home to discover the sinister and immoral origins of the wealth and the evil his narcissistic hosts will enact to preserve it. It’s an anticapitalist tale indeed.
Solar by Ian McEwan
Solar is about a physicist, Michael Beard, a brilliant, womanising, cheating liar who nevertheless has a certain smarmy and superficial charm about him that initially draws people in.
The story charts the course of more than a twenty years, as he navigates his relationships with wives and lovers while developing new solar power technologies.
Like most of McEwan’s books, Solar is uncomfortable, squirmy reading. He is an acute observer of the everyday details of life and he uses them to build an excruciating picture of this awful man and his behaviour.
I think McEwan is a genius. He focuses on moments in people’s lives that are at the least uncomfortable and often very threatening – obsession, home invasion, suicide, lies and betrayals – and puts them under a sort of literary microscope using characters we all recognise from our own lives. I loved Solar.
Tuesday, October 5, 2010
To Kill A Mockingbird by Harper Lee
This story of the trial of a black man for the rape of a white girl is told through the innocent eyes of young Scout, daughter of Atticus Finch, the lawyer who is defending the man. Of course it is much more than this, indeed a portrait of southern American society in the 1930s from the ignorant ‘white trash’ families through to the old plantation families of the south with the black population caught somewhere in between.
You could write a thesis – and I’m sure it’s been written many times over – about what Harper Lee is saying in this book and I’m not even going to try to go into it here other than to say that essentially it is a story about being human, about being compassionate, and about the struggle that young people face when they are faced with the ugliness of people’s minds. Five stars, of course
Thursday, September 30, 2010
Tony and Susan by Austin Wright
The thriller is OK for the first part but becomes quite ridiculous towards the end. The characters in the thriller are unlikeable and thin, of course, given the abbreviated length of it. But maybe that's OK. It's only a manuscript after all.
The second story is of course more interesting but I felt it never really developed and that Susan’s musings were obscure. Did the first husband write this thriller to show her he could indeed become a writer? Did he intend to create some sort of nasty allegory of their marriage? I might be a bit thick, but I really missed the point of the whole thing. 3 stars for the idea.
Wednesday, September 29, 2010
The Help by Kathryn Stockett
Essentially, while it raises those black rights issues, it does so in an Anita Shreve, Anne Tyler, Bryce Courtney second tier verging-on-chick-lit type of way that includes all those relationship issues – the love interests, the miscarriages, the drinking problems, shocking injustices visited on the underclass – that so absorb writers like these. Books like this always leave me feeling like I just wasted a whole lot of hours on something that really ought to have been serialised in the Womens Weekly. Still, not-quite-chick-lit is like a bag of jelly snakes: I can’t stop until I’ve finished the whole lot and then I wonder why I stuffed myself with a bag of sugary sweet gummy stuff that does nothing to improve my health or state of mind! So read it because it’s compelling but beware. 2 ½ stars.
Sunday, September 26, 2010
The Corrections by Jonathan Franzen
Thursday, September 9, 2010
Major Pettigrew's Last Stand by Helen Simonson
Helen Simonson has allowed all her fantasies to run riot. The protagonist, Major Earnest Petttigrew, is almost exactly like my mother’s second husband, who would have lain down and died for the Queen and the British Empire – even though it no longer exists. The Major is pompous and correct, but of course his view is all underpinned by tough British standards of morality and tempered with a good dose of intelligence and wit.
As an established figure in the village, the Major thinks he has his life all sorted out – and he is indeed very comfortably resigned to an ordered old age (crikey he’s only 68!) and a gentle sort of contentment. But along comes a Pakistani shopkeeper, Mrs Ali, who become the love interest in the book and sets everything upside down.
We know the plot – boy meets girls, boy loses girl, boy gets girl back again – backwards, but Simonson has a lot of fun with it, even while gently introducing the problems that the mixing of cultures can present. She sticks it up the British ruling class, the deadly upper middle classes who run village committees, even the brash Americans, all with gay abandon.
This isn’t great literature but I don’t think it was ever intended to be: Simonson wrote this with her writing group after having put her career on hold to bring up the kids, so why not enjoy herself? I certainly did.
Wednesday, September 8, 2010
Deerhunting with Jesus by Joe Bageant
Deerhunting is about the poor working whites in America, people whose earning power diminishes as capitalism thrives, who are only the next pay away from losing their homes (which are worth less than they paid for them), who cannot afford health insurance and for whom a serious medical condition will spell bankruptcy. He explores why these people continue to support the Republicans, the role that religion plays in their worldview and the reasons they refuse to seek education and advancement if it means taking any 'handouts' from the state. It's a little repetitive but he's passionate about this - or passionate but resigned I should say.
Last night he spoke with an air of sad acceptance about the state of first world countries. He doesn't believe that things will change and he can see only doom and gloom for the working poor people who live in them. He says the USA will only see itself as achieving 'recovery' when it gets back to the same corrupt and out of control state it was in when it caused the GFC, which of course spells further disparity between rich and poor and further disaster.
One of the things he did mention was the role of television - Fox obviously - as the only source of information for these uneducated people. He says the television medium grooms people's emotions - it's Christmas so it's time to shop, it's football season so it's time to cheer, it's war so it's time to fly flags - and it just guides people through the seasons of their lives. There's something scifi about this concept: I'm sure I've come across this type of mind control in Blade Runner and in various novels. I'm just as sure it's happening in the press here in Australia, spectacularly in papers like The Telegraph, but also slightly more subtly in the broadsheets. And of course on TV, though I can't manage commercial television so have no exposure to it.
Anyway, it's interesting to read what Joe Bageant has to say. He lives in a second world country, Mexico, now and seems to have adopted the Buddhist approach of living a small life well, which while it doesn't deliver a big solution at least allows him to accept what he sees as the inevitable collapse with calm and grace.
Sunday, August 29, 2010
The Other Family by Joanna Trollope
Friday, August 27, 2010
Roddy Parr by Peter Rose
The story line - the unpacking of family secrets and development of relationships - is interesting enough but the characters don’t ring true. They keep saying awkward things that nobody says, like one woman talking about entertaining people to dinner and saying ‘I just give them a chop’. Now, who says that? It’s like something out of PG Wodehouse. And there’s lots more of this irritating lack of authenticity in the characters and the way they speak.
And finally the writing – OTT. This guy has ‘discovered’ literary language so his prose is full of dreadful metaphors and unwieldy language that just goes clunk at the bottom of the bucket. Nothing seems to live, not the characters and not the action. The main character Roddy is an onlooker, who reports, diarises, but barely lives the action. Contrived and awkward I think. 2 ½ stars.
Monday, August 23, 2010
House Rules by Jodie Picoult
Sunday, August 8, 2010
The Shortest History of Europe by John Hirst
Saturday, July 31, 2010
The Spare Room by Helen Garner
Friday, July 30, 2010
Wolf Hall by Hilary Mantel
Monday, July 26, 2010
The Secret Scripture by Sebastian Barry
Tuesday, July 20, 2010
The Museum of Innocence by Orham Pamuk
Tuesday, May 25, 2010
Maps and Legends: Reading and Writing along the Borderlands by Michael Chabon
So I was pleased to buy a copy of this new book from Michael Chabon, which is a series of essays about reading and writing. I’ve read only one, with a pencil in hand and joy in my heart. It’s like sitting down to a great meal. Yum yum.
The argument, much of it verbatim, presented in Trickster in a Suit of Lights is:
Entertainment has a bad name – it means junk and too much junk is bad for you according to clever people.
But maybe these intelligent serious people are wrong. Maybe the problem with entertainment is that we have accepted such a narrow, debased concept of entertainment and as a result mistrust and despise our human aptitude for being entertained.
He also says entertainment gets a bad rap: because it’s pleasurable it’s somehow tacky. This hasn’t been helped by mass production of entertainment leading to shoddy products.
Chabon wants to propose expanding our definition of entertainment to encompass everything pleasurable that arises from the encounter of an attentive mind with a page of literature.
He thinks it’s time writers reclaimed the role as entertainers and suggests short story as an ideal way to do this.
Short stories, though, suffer from a sort of constipation of form that results from the abandonment of genres – rather than writing things like horror, science fiction, fantasy and other genre pieces in their short stories, writers are focusing instead on the trendy and overworked ‘moment of truth’ story. Readers are dying of boredom because every story is the same.
Genre he says is regarded as unworthy of a serious reader’s attention because it implies formulaic writing. He says much of this emphasis on the formulaic and conventional stems from the approach of publishers and booksellers who use genre largely as a marketing tool, complete with trashy covers and standardized imagery. Some mainstream writers do occasionally break out and write something with a suspiciously genre-like focus but the publishers treat these books differently and they never appear as, say, science fiction because they are presented and located as literature. He would like to see all fiction set on shelves together.
Chabon goes on to say that accomplished writers who do work in the genres use the formulae and rules as the basis for playing, as an opportunity to flout, invert, break or ignore the rules.
Developing this theme of mockery and inversion, he moves to discuss the Trickster in literature, a character who appears in a multitude of literary traditions and who is always associated with borders and crossroads. Trickster goes where the action is; indeed many writers also ply their trade there, in the no mans land between genres, the land the Trickster inhabits, stirring things up, breaking the conventions, undoing history and challenging the nature of art. And here at last we have entertaining and interesting writing.
A satisfying exercise. I look forward to the rest of the book.
Sunday, May 23, 2010
Ghostwalk by Rebecca Stott
Tuesday, May 18, 2010
Lustrum by Robert Harris
Thursday, May 13, 2010
Twelve Books That Changed the World by Melvin Bragg
Wednesday, April 28, 2010
Imperium by Robert Harris
Thursday, April 22, 2010
Sacred Hearts by Sarah Dunant
Tuesday, April 20, 2010
Her Fearful Symmetry by Audrey Niffenegger
The Women in Black by Madeleine St John
Sunday, April 18, 2010
Netherland by Joseph O'Neill
This isn’t a book for people who want story. Having said that, of course it’s got story: a rather endearingly distant, solitary Dutch banker, Hans, and his wife go to live in Manhattan just before 9/11; after the terror, she leaves him and returns home to England with their child, a separation that lasts for a couple of years with him travelling home regularly to see the child, while she works out whether she wants to be with him or not. Eventually he moves back to London and they manage to reunite. Underneath all that is the story of the relationship he has with a man called Chuck in the two years he is living alone in New York. Hans meets Chuck through his interest in cricket – he joins a West Indian team to fill in his solitary hours. Chuck is a Trinidadian who wants to build a cricket stadium in the US, but he’s also a bit of a dreamer, a bit of a gangster, a bit of a mystery. Information about Chuck is patchy, as in all real life relationships – Hans doesn’t have the benefit of the novelist’s omnipotent eye. It’s a sometimes tender relationship, sometimes ambivalent, which is of course how authentic relationships work.
But we know the plot from the beginning so the book isn’t about that. It’s about the internal life of Hans, the fluctuations in relationships that are so hard to identify with their unspoken understandings, their miscommunications, their lies, their poignant moments, the way one small action can change the course of your mood. On the larger scale it’s about post 9/11 and the impact it’s had on New Yorkers as individuals. There are some unforgettable images in this novel – one of a child in a row boat on the water under the stars at night, afloat in the universe; one hysterical moment where a cop pulls a gun on an inflatable Ronald McDonald that is threatening to escape its handlers; a time where the wife says she feels she would like to stay in the marriage because she feels a responsibility to see her husband through his life. Much of the man’s internal dialogue really resonates.
There’s a kind of melancholy running through it that I associate with modern day America. It’s highly critical of American foreign policy and culture, it’s angry and at times desolate. Netherland is an intelligent and witty book, beautiful reading for someone with the time and patience to spend on absorbing every phrase. 4 stars
Monday, April 12, 2010
The Year of the Flood by Margaret Atwood
Thursday, April 8, 2010
Nine Dragons by Michael Connelly
Olive Kitteridge by Elizabeth Strout
Monday, April 5, 2010
An Instance of the Fingerpost by Iain Pears
Thursday, April 1, 2010
The Children's Book by AS Byatt
It’s a dark sort of story as the individuals wrestle with their own failings, some of them very grim indeed, and the ideas of responsibility at a time of enormous social change in England and Europe. There’s a mass of detail about the Fabian society, about the intellectuals and philosophers of the time, about concepts like free love, about the new ideas of psychoanalysis, and of course about the craft movement in England. The book is littered with appearances by people like Oscar Wilde, Emmeline Pankhurst, Kenneth Graham, Rupert Brooke and George Bernard Shaw which adds a sense of reality but leaves you reeling as you try to grapple with all their 'stuff' – suffrage, homosexuality, censorship and so on.
The writing is strange, often very simple as if narrated by a child who lists the chronology of events without going into any kind of analysis. So it reads ‘and then this happened and then that and then that and then so forth..’ At times I found this style quite annoying, adding unnecessary length – this book is over 600 pages long. It’s densely packed with references to events of the time but these references are almost in passing, listed not explained, sketchy, so only the most avid historian of the period would really understand the significance of them, either as real events or in terms of the novel. You feel you must stop and look up chapters and chapters of history to get a sense of what it is all about.
I came away feeling a bit overwhelmed and quite exhausted by this book but glad to have learned a bit more about the Fabians and ready to look into this period of history in greater depth. 31/2 stars
Tuesday, March 23, 2010
The Slap by Christos Tsiolkas
There are too many words in this passage. This overblown guy could learn that less is more. And I am betting that he neither likes nor understands women.
I really don’t know about this book. It’s had such huge press and I had to wait half a year to get it from the library. But it’s like a Greek male macho version of a Danielle Steel novel, full of sex (his personal fantasies I am thinking!) and a soap-opera-intensity focus on the gritty details of people’s private lives. The premise is interesting enough – a bloke at a BBQ slaps a brat of a kid, the parents press charges and that polarises the family and friends who are at the event. The emotion surrounding their responses creates fallout for their relationships. Marriages come under pressure, friendships strengthen or fail, individuals tell lies and create mayhem in other people’s lives.
I didn’t like the characters or the characterisation, which I thought relied on shallow stereotypes. I could almost see the writer lining up a whole bunch of people he’d met in the working class Greek community and popping them into the story. I didn’t like the gratuitous language, which I still believe acts like speedhumps in the story, and I didn’t like the explicit detail of the sexual encounters – I really don’t need to know where anyone sticks their fingers, not even if it’s only in their ears. I just thought it was trashy.
But then I did think he had a handle on some of life’s experiences. The relationship between the old Greek parents rang true as did the way that some of the characters struggled with concepts like love and fidelity. Like the curate’s egg, this book was good in parts. 3 stars.
Sunday, March 21, 2010
La Lacuna by Barbara Kingsolver
Thursday, March 18, 2010
Sword of Honour by Evelyn Waugh
Sunday, March 14, 2010
The Plague of Doves by Louise Erdrich
Monday, March 8, 2010
Important Artifacts and Personal Property from the Collection of Leonore Doolan and Harold Morris by Leanne Shapton
It’s quaint and quirky and a very quick read. It’s a bit like a treasure hunt as you build up a picture of what the two characters are like as people. It’s also a comment, I think, on how in this society we define ourselves by things. 3 ½ stars.
Thursday, March 4, 2010
The Glass Room by Simon Mawer
Monday, March 1, 2010
A Week in December by Sebastian Faulks
Tuesday, February 23, 2010
Between the Assassinations by Aravind Adiga
Thursday, February 18, 2010
The Winter of Frankie Machine by Don Winslow
Tuesday, February 16, 2010
Lovesong by Alex Miller
Sunday, February 14, 2010
Arabesques by Robert Dessaix
Cloud Atlas by David Mitchell
Leaving the World by Douglas Kennedy
Friday, January 29, 2010
The Water Babies by Charles Kingsley
The Infinities by John Banville
This was so hard to read because I am glutton for narrative and this was slow, slow, slow. But beautiful. It’s the day in the life of a family where the father is dying from a stroke and they all gather, along with the playful but wicked gods. You get to see inside the minds of all the people and gradually their secret thoughts, their trials, their fears all unfold. They are petty and small but exactly the sorts of things we all live with, no matter how grand and important we are. Almost stream of consciousness really. Zeus pops into human form and bonks the beautiful daughter in law, Pan interferes and has done since the beginning, and Hermes also pretends to be a human being and arranges a marriage. But it is languorous, not fast and funny. Some reviewers claim it was a pretentious book and perhaps that's so. But can you ever get past Banville's language? 31/2 stars.
Smoke in the Room by Emily Maguire
I liked Emily Maguire's Pornstars and Princesses treatise on feminism. This though is fiction and it's dark. A story about a young girl with depression and suicidal tendencies. The book charts her progress but I don’t know. It’s quite realistic and so is depressing in itself you don’t feel uplifted or positive for this kid. 2 stars
Pompeii by Robert Harris
This was a sort of thriller about an aquarius, or water engineer in charge of the aqueducts and water supplies in Rome. It had a bit of a plot about a disappeared aquarius who had been taking bribes to provide cheap water to Pompeii and make the bad guy rich, but had realised an eruption was going to take place and had been caught by the sulphur and died. The young aquarius has to find the problem (caused by preliminary earthquakes as it turns out) and he discovers the corruption as part of that. Most of the book is detailed description of the eruption itself and as such is a bit dull unless you’re a vulcanologist. The aquarius escapes by going down an aquifer with the bad guy’s beautiful daughter. Ho hum. 1 1/2 stars
Life According to Lubka by Laurie Graham
This is the story of Beryl aka Buzz, a rock star PR person, who gets sidelined into World Music as she gets older and her business is sold. She goes on tour with a bunch of Bulgarian singing grannies, and of course life changes and she falls in love with them blah blah blah ... It has charm though, a lot because of the funny mispronunciations they make, but also because of the characters and their homespun philosophy. It’s not great literature but it’s entertaining enough. 2 stars
In the Kitchen by Monica Ali
This is the story of Gabriel Lightfoot, a chef working in a big London hotel. He is planning to open a restaurant with a businessman and a politician and to marry his girlfriend Charlie. Then he meets an illegal immigrant Lena and takes her into his home and his life begins to unravel. He discovers an illegal employment ring for migrants and tries to bust it. He has a nervous breakdown really and gives up on his job, his restaurants etc. It was a dark story and the characters were pretty awful but the detail of Ali’s observation is incredible.. 3 stars
Homer and Langley by EL Doctorow
This is the fictionalised true story of the Collyer brothers, hoarders and eccentrics, who were finally found dead in their Harlem brownstone, Langley when a booby trap fell on him and Homer from starvation. It’s a weird and amazing story, sad, but kind of nice with the wistful voice of Homer charting the years. 3 1/2 stars
Corduroy Mansion by Alexander McCall Smith
This is a lovely book, full of McCall Smith gentle wit and humour, wry observation and quirky characters. As usual nothing is resolved but the not-getting there is wonderful. It is about the lives of several people who live in Corduroy Mansions or thereabouts – William the wine shop owner, Marcia his would be lover, the girls in the flat downstairs, a politician called Oedipus and his mother and her brother and his girlfriend and her new lover. It’s a bit disjointed, almost unfinished, like a slice of life rather than a novel, or if it is novel, it’s unfinished. But I enjoyed it all the same. 3 stars
A Life Like Other People's by Alan Bennet
Oh how I love Alan Bennet. This is Alan Bennet’s family biography, from his grandfather who killed himself through his father and mother, who suffered from depression and finally died of Alzheimers. It’s a bravely honest account of his feelings. He talks about his aunties Kathleen and Myra, one dead of dementia as well and the other of pneumonia, and their weird marriages, one to an Australian man. I can hear his voice telling this story and it’s a fantastic insight into the British working classes, with all their pretensions and limitations. There's a kind of resigned sadness about the past and the limits placed on people's lives and an awareness of their suffering that runs through it. He has such a strong voice. 4 1/2 stars
We Are All Made of Glue by Monica Lewycka
At first I thought this book was going to be too chick-litty for me but it won me over. The woman in it, Georgie, is actually very authentic and the writer has combined her with a cast of eccentric Jewish and Palestinian characters, some sleazy real estate agents, do-gooder social workers and a gay workmate thrown in to entertaining, if stereotypical, effect. It’s the story of Naomi Shapiro an old bag lady type who is at risk of being forced out of her old home. Georgie uncovers the story of her life and a whole heap of other people get involved and of course everybody falls in love and lives happily ever after. Good for reading in the bath because it has lots of froth and bubble. 2 1/2 stars
The Vanishing Act of Esme Lennox by Maggie O'Farrell
It has been years since I have read a book in one sitting but this one was incredible. What a writer. It is the story of a woman rescued from a mental hospital after 61 years incarceration. The story of how it happened is pieced together through the broken memories of the Alzheimers afflicted sister Kitty, the internal voice of Esme herself and through her young relative Iris. Esme has been put away because she is uncontrollable – these days we'd delight in her as a girl with spirit and imagination. Roll on the age of the feminists. It’s described by the Times as ‘almost ridiculously pleasurable …shocking, heartbreaking and fascinating’ and I couldn’t agree more. Wow, wow, wow. 5 star reading.
The Untouchable by John Banville
The diary/memoir of a spy of the between the wars Cambridge school, cousin of the Queen, son of a bishop, homosexual, art critic and professional. He has been unmasked and reflects on his life. Banville likes these slower, introspective novels and the approach certainly gives him the opportunity to ponder on the moment without being drive to distraction by a racing plot. Mind you there is plenty to keep the pages turning in this lovely book. The writing is exquisite, no other word for it. Glorious. 4 1/2 stars
The Historian by Elizabeth Kostova
There are many reserves out at the library on this book and I really don’t know why except that it’s about vampires perhaps. It’s very, very long and very, very wordy. It has three or four versions of the narrative all mixed up – a bit like a history research project with lots of original sources used to make the case. But there’s nothing elegant about it. I don’t know why I bothered finishing it actually except for sheer orneryness – it’s about a group of people who mysteriously obtain books with a dragon in them and then when they do some research on vampires get warned off because horrible things happen to people near them. Some, inevitably, get sucked into the vampire’s net. Rubbish really. 1 star.
Sovereign by CJ Sansom
This was fun for a holiday read on the beach - a sort of murder mystery political thriller set in Tudor times. It revolves around the possible fact that Henry V11 was the bastard son of Cecily Neville, (married to the Duke of something), and an archer from Kent. She actually admitted this when her third son Richard III seized the throne – whether she was trying to muster support for his claim or not is uncertain I guess and I haven’t read much about it. The ‘real’ king would then be an Australian sheep farmer, King Michael I! Anyway it was fun and well enough researched to give you a bit of insight into what life must have been like at that time. (I always though Henry VIII must have been a bit of a bastard and all those old kings a pack of violent psychopaths.) 2 stars
Espresso Tales by Alexander McCall Smith
Another in the line of gossipy portraits of people living in an apartment building in Edinburgh. He’s such an astute observer and has in this one an aggressively trendy mother, who is hothousing her little kid; a smoothly over confident entrepreneurial type, an earth mother anthropologist type and so forth. They were more a series of people portraits, often only tenuously linked, than a novel with a plot, conflict and any kind of resolution. But what characterisation! 2 1/2 stars
Eat, Pray, Love by Elizabeth Gilbert
An American woman escaping a messy divorce and heart breaking love affair decides to spend a year travelling. This is the chronicle of that year in Italy, an Indian ashram and Ubud in Bali. Much as I am wary of these ‘year in’ books, she’s a great writer and her observations about Italy were so close to my own that I felt I could have written what she said. She’s incredibly open and honest about her feelings, able to laugh at herself and is in fact quite a likeable character. Read it for the Italian section even if the hippy new age feel of the ashram and Ubud sections is going to drive you crazy. 3 stars.